SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
SIT(UATION) Phase 3
Riley Hooker, SIT(UATION), 2023, in collaboration Nick Meehan, installation view of phase 3, MURRMUR, ICA at VCU, 2023. (artwork @ Riley Hooker; photograph by Seychelle Stableford)
They are an interdisciplinary artist based in New York. Their work with artist collective House of LaDosha was featured in Trigger: Gender as a Tool and a Weapon at the New Museum in New York in 2018. The artist’s first solo show, SPECIATION, was at Knulp in Sydney in 2019, and they were in the group exhibition Love Mussel curated by Water McBeer in 2020. In 2015, Hooker founded Façadomy, an intersectional publishing project focused on paradox and desire. Hooker’s work puts a distorted lens on reality by positioning elements of design, architecture, and popular culture in various states of transition, bringing forward the unstable subject and mutable nature of reality.
They are an interdisciplinary artist based in New York. Their work with artist collective House of LaDosha was featured in Trigger: Gender as a Tool and a Weapon at the New Museum in New York in 2018. The artist’s first solo show, SPECIATION, was at Knulp in Sydney in 2019, and they were in the group exhibition Love Mussel curated by Water McBeer in 2020. In 2015, Hooker founded Façadomy, an intersectional publishing project focused on paradox and desire. Hooker’s work puts a distorted lens on reality by positioning elements of design, architecture, and popular culture in various states of transition, bringing forward the unstable subject and mutable nature of reality.
Riley Hooker
They are an interdisciplinary artist based in New York. Their work with artist collective House of LaDosha was featured in Trigger: Gender as a Tool and a Weapon at the New Museum in New York in 2018. The artist’s first solo show, SPECIATION, was at Knulp in Sydney in 2019, and they were in the group exhibition Love Mussel curated by Water McBeer in 2020. In 2015, Hooker founded Façadomy, an intersectional publishing project focused on paradox and desire. Hooker’s work puts a distorted lens on reality by positioning elements of design, architecture, and popular culture in various states of transition, bringing forward the unstable subject and mutable nature of reality.